|
BIAS
Deck is an advanced DAW that is great for composing, engineering, mixing,
tweaking or scoring. With this app, you can spot effects, edit dialog, work on
soundtracks, record ADR-style voiceovers, and bounce out your mixes to either
stereo or surround. Deck perfectly syncs up to QuickTime or DV.
With Deck 3.5, you can:
 Record, mix, play back, and process up to 64 simultaneous tracks
Up to 999 virtual tracks
High-performance, realtime mixing console
Automated level mixing with high-resolution moving faders
“Rubberband-style” breakpoint automation
Mixer states “snapshot-style” scene automation
Copy, paste, drag and drop automation envelopes
5.1 channel surround mixing capable and fully automated
Surround mixing algorithms include Radius 5.1, Variable Width 5.1 and Room Ambiance 5.1.
Advanced realtime signal processing with VST plug-in support
Over 25 free VST audio effect plug-ins, including BIAS Freq and Vbox
Built-in realtime DSP effects including chorus, EQ, delay, and multitap
Support for multiple sample rate and bit depth formats, up to 48kHz and 16-bit
SMPTE/EBU timecode-fluent for editing, spotting, and external chase-lock sync
Slaves with subframe accuracy to external video tape recorders and other transports
Import QuickTime movies and sync audio-to-picture with better-than-frame accuracy
Scrub QuickTime movie with full audio chase
Lightning-fast spotting of audio clips to picture
ADR (automated dialog replacement) capable
Clip nudging and trimming Ñ with better-than-subframe accuracy
Sync to external MIDI sequencers
Non-destructive punch-in and punch-out
Master fader with stereo effects bus
OMF support allows importing from other DAWs and non-linear video editors
Supports most ASIO(OS 9), Sound Manager and CoreAudio(OS X) compatible hardware
Supports AIFF, SDII, .WAV, .SND, and QuickTime
Export sessions as QuickTime movie with multiple format options
Launch external waveform editor like Peak from within session
Includes Peak LE 4
SEARCH AUDIOHEAD.NET
|
|
|
|
| |
Get Deck
(click the image below to purchase)
 
Bias Deck 3.5
BIAS at Work
“I always need a precision sample editor,” says sound designer and head
engineer for Nine
Inch Nails’ epic “The Fragile,” and the sonic conceptualist
behind the “Poke In The Ear,” “Diffusion of Useful Noise” and
“Useful Noise V2” sound libraries, Keith Hillebrandt. “A while
back, when Alchemy wasn’t doing it for me anymore as a sample editor, I
found that Peak did everything I needed it to do. Plus, it’s also a program
that continues to expand.”
|
|
|
|