Chad Muska:
Hip Hop On the Fly


By Stephanie Jorgl


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Super Dave Roen and Chad Muska

“Music has always been a big part of my life through skateboarding, and it seems to give me the energy to skate,” says pro skateboarder Chad Muska, who also just happens to be a character in the Tony Hawk video game.

“About eight years ago, I started listening to electronic music and wondering how they did this stuff,” he says.

“So I got myself a couple of computer programs and messed around with them. Then I got into the MPC2000 and started sequencing on that. Then I got into Cubase and Reason, and now there’s no turning back,” says Muska. “Whenever I’m not skateboarding, I’m working on music.”

Always on tour skateboarding, Muska missed having access to a studio. “I was going crazy because I couldn’t make music,” says Muska. “So I got a PowerBook, the PC300 USB-connected keyboard and Cubase.”

Meeting SuperDave
Muska got turned onto Cubase by SuperDave Roen. They met in 1999 while Roen was running the recording department at Sam Ash in Hollywood. Roen had studied music theory and composition at UC Santa Cruz. Together, they soon started 1212 Records, an independent record label.

“We got Biz Markie first.” explains Muska. “He’d played the video game where I’m one of the characters, so he agreed.”

In the summer 2002, Muska decided he wanted to produce a hip hop record featuring the all-time greats of hip hop. So, he used his connections and persistence to recruit Biz Markie, Afrika Bambaataa, Raekwon, U-God, Melle Mel, Guru, KRS-One, Jeru, Prodigy, McLyte, Special Ed, Ice-T and Flavor Flav to sing on tracks for his first CD release, “MuskaBeatz.” All but three tracks were recorded on a PowerBook during a two-week period in Muska’s room at New York’s Soho Grand Hotel.







A New Audience
Muska’s career as a pro skateboarder enabled him to build his studio, to promote his name and to recruit the artists. He pitched the artists by pointing out that the project could introduce them to a new generation of kids who might not know about the impact that they have made on hip hop music.

Ice-T

One of Muska’s original goals for the “MuskaBeatz” album was to fuse hip hop with drum and bass, but he and Roen had so much success contacting hip hop legends that the project evolved into a classic hip hop album.

“Once we got one or two people for the album, they all came around because they realized it was a legit project.

“We got Biz Markie first — Dave ran into him here at the Hyatt when he was DJing out for the Oscars. Dave told him I was making an album and he’d played the video game where I’m one of the characters, so he agreed,” says Muska.



Next page: Recording the Greats, Hotel Style



Chad Muska

1. Hip Hop On the Fly
2. Recording the Greats, Hotel Style



Tools of the Trade

Muska and Roen use Cubase, Reason, Spark, Peak, Director, Final Cut Pro and After Effects for their music and video projects. “I do a lot of my beats within Reason, doing programming and MIDI sequencing,” explains Muska. “Through ReWire I can use it with Cubase simultaneously.”

He also runs a bunch of virtual synths, samplers and effects, including the Absynth, B4, FM7, Halion, Pro-5, PPG Wave, TC, Waldorf Attack and Waves, plus a Powercore card. Muska also has an original Prophet 600, a Yamaha CS-15 and a Korg Triton.




Useful Links

Records/DVDs
MuskaBeatz

Software
Cubase
Reason
Spark
Peak
Absynth
B4
FM7
Halion
Pro-5
TC Native
Waves
Final Cut Pro
After Effects

Hardware
Power Mac
PowerBook
Cinema Display
RODE NT2
Roland PC300
Prophet 600 (vintage)
Yamaha CS-15
Korg Triton
Powercore
Mackie 1402 mixer








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